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document was well meaning
and well thought out and Lois didn't make many changes, she did look very
closely, with dedication and concentration, at the statement and found areas
within it that needed re-defining. She simplified and clarified points to
fit today's COS.
It was therapeutic for her
and beneficial for us, but she could not have envisioned how her work would
affect the COS committee. We found that we have taken for granted the policy
statement - indeed, we have assumed that we have all read it recently enough
to remember it. We spent an entire meeting going over the statement and were
amazed at how much heated discussion there was on issues that each of us
thought were obvious. Lois had caused us to look thoughtfully at Cambridge
Open Studios' purpose. We must not lose sight of this as we so easily can in
the daily paperwork. The decision was made that with every change of
chairman, there should be one meeting set aside to discuss the policy
statement. With this discovery in mind, we decided that the cover of this
year's Guide should state the basic aim of Cambridge Open Studios.
Finally, we give our thanks to the very generous sponsorship of Camstead
Homes for a fourth year running. We are able to continue to give our artists
the highest possible service and exposure at an affordable fee. In the
complicated environment of funding, it is very important for us to have this
corporate sponsorship. It demonstrates our credibility in the eyes of public
funding bodies and the sponsorship from "local authority partnerships"
combined with our "corporate partnership" with Camstead have enabled COS to
benefit from continued funding from Arts Council England East. We are also
grateful to the many other corporate bodies who have supported us throughout
the year.
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