This year I have produced many waterscapes with florescent inks. These screenprints are near impossible to photograph so are best seen in the flesh. They are screen printed monoprints, so each one is an unrepeated unique piece. I start with an open screen and then effectively use the ink in a more painterly way. This can produce unpredictable resuts with a high failure rate. I started with the intention of trying to portray the underwater abovewater divide and this stayed my main focus, however I found I could produce waterscapes from above perspective with nice atmospheric results too.