Sarah Jenkins
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Portfolios

Sarah Jenkins Lampshades

I have been creating lampshades by slip casting bone china for over a year. The hand-casting process creates organic irregularities, making each one unique, looking as if it has grown, rather than been made. Although light, they are surprisingly strong, with a gentle translucency that provides a warm soft glow of illumination through the shade. When the lamp is off they have a beautiful matt white textured surface, like a shell. The addition of paper pulp to the slip means that it is possible to produce exceptionally thin and translucent shades. Even the large pieces weigh only around one kilogram.

My Events

Ceramic Art London
Repeats every 2 days until Sun Apr 02 2017.
31 Mar 2017 -
11:00 to 16:30
Sarah Jenkins at Ceramic Art London
Ceramic Art London
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July Open Studios

Cambridge Open Studios 2018
Cambridge Open Studios 2018
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News

Sarah Jenkins exhibits in Australia
Sarah's work has been selected as part of a group exhibition of British Artists representing excellence in British Ceramics at Clay Gulgong, Australia's triennial ceramic festival.
Sarah Jenkins exhibits in Australia
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Feature on Contemporary Ceramics Centre blog
Sarah Jenkins is on the Contemporary Ceramics Centre featured makers blog
Feature on Contemporary Ceramics Centre blog
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Lampshade prize at international competition
Sarah Jenkins wins Bruckner Foundation prize at Carouge biennial ceramics competition, Geneva, Switzerland
Lampshade prize at international competition
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ceramics
A wide variety of vessels in various sizes, bone china light-pieces, I also have a limited edition bronze animals.
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I want the work itself to be the most eloquent of artists' statements. I find I am not good at pinning down what I do with words. I feel I am on a search, my quarry is elusive, intuition is more helpful in this territory than analysis.

A key influence is the land around where I live, where I was born, to which I feel attached. However, although ever-present, sometimes this aspect can be more subliminal or oblique. Ceramics is my dominant medium. I do paint sometimes, and I have recently completed the first of a series of bronzes.

My journey has been unconventional, and includes: leaving my Fine Art degree; a long period working as a plasterer in the building trade; adult-education classes at Morley College, with Jill Crowley as a tutor (while on a two year independent study course); clay work with people with mental health problems; a lot of experimentation, including building more than one studio and raku kilns; and a sabbatical in a Cape Town ceramic studio, where I was able to focus on consolidating technique.

Ceramics are always hand built and fired several times. Currently I like to use simple slips and oxides with scant use of glaze.